Celebrate Black History

Honoring the former Black Presidents of

The League of Professional Theatre Women

Billie Allen was an actor, dancer, and director. Billie Allen was born Wilhelmina Louise Allen on January 13, 1925 in Richmond, Virginia to Mamie Wimbush Allen and William Roswell Allen. Allen grew up in Richmond’s West End, attending Randolph Street School and Elba Elementary School before graduating from Armstrong High School in 1941. At Hampton University, Allen was inspired by Romare Bearden and mentored by Billie Davis. Drawn to show business, Allen moved to New York City in 1943 to take ballet classes and to study acting at the Lee Strasbourg Institute. Soon, Allen was dancing professionally and auditioning for stage roles.


In 1949, Allen was featured in the film Souls of Sin with Jimmy Wright and William Greaves. In 1953, Allen performed in the Broadway play, Take A Giant Step with Lou Gossett, Godfrey Cambridge and Lincoln Kilpatrick. She was cast as “WAC Billie” in five television episodes of The Phil Silvers’ Show from 1955 to 1959. During this period, she also played Ada Chandler in the soap opera, The Edge of Night. In 1964, Allen was cast in Adrienne Kennedy’s Funnyhouse of a Negro, and in 1990, directed the play’s revival. She also portrayed “Vertel” in the movie Black Like Me in 1964 and appeared on stage in James Baldwin’s Blues for Mister Charlie. Since the 1960s, Allen was cast in a number of movies and television programs including Route 66, Car 54, Where Are You, The Wiz, Winter Kills, The Vernon Johns Story, Eddie Murphy Raw, and Law and Order. In the early 1980s, Allen directed the off-Broadway play Home featuring Samuel L. Jackson, and in 2001, she directed Saint Lucy’s Eyes starring Ruby Dee.


Allen was a founding member of the Women’s Project and Productions and served as a founding member and co-president of the League of Professional Theatre Women. In 1973, Allen, with Morgan Freeman, Garland Lee Thompson, and Clayton Riley, founded Harlem’s Frank Silvera Writers’ Workshop. She interviewed Rosetta LeNoire, Julia Miles and Ruby Dee for the theatre archives of the Library of the Performing Arts at Lincoln Center, and in 1999 and 2000, served as a voting member of the Tony Awards nominating board. Allen married the late composer Luther Henderson, with whom she received the 2002 Audelco “VIV” Pioneer Awards. She had two children.


Allen passed away on December 29, 2015 at age 90.

Mary E. Hodges is an actor, director, sometimes dramaturge, and teacher. Most recently, she was Assistant Director for Slave Play written by Jeremy O. Harris and directed by Robert O’Hara, which ran on Broadway until January 2020. She has been at the craft of acting for 25+ years, mostly onstage from Berkeley, California to The Berkshires of Massachusetts. Hodges has studied a wide variety of acting methodologies and techniques: traditional and not-so-traditional such as, Sandy Meisner and Uta Hagen to Ernie McClintock’s “Jazz Acting Technique” or Suzuki Training for Actors. Hodges uses ALL of these teachings ALL of the time, regardless if she is acting or directing. Mary has a B.F.A in Acting (Virginia from Commonwealth University and M.F.A in Acting from University of Connecticut. Hodges was in the highly awarded and acclaimed production of The Lehman Trilogy on Broadway. Her theatre credits include: Harlem Shakespeare Festival, Gideon Productions, Judith Shakespeare, Ensemble Studio Theatre/Castillo, and Here Arts Space. In the production of Macbeth at Here Arts Center, she played five different roles, all men. The show starred internationally acclaimed actor/director/teacher/gender-bend specialist, Lisa Wolpe and Nick Salamone of New York Classical Theatre. Further credits include Regional Theatre includes Florida Rep, Connecticut Rep, The Berkshire Theatre Festival, and the National Black Theatre Festival.


A Dedication from the current President, Lynnie Godfrey

On the League of Professional Women’s official stationery reads the names of the former Presidents. The third name listed is the incredible BILLIE ALLEN. The insight of the founders of this organization so early in its history to recognize and practice a form of diversity, inclusion and equity in its leadership is admirable. 


MS. MARY E. HODGES joined the ranks decades later with the same determination and enthusiasm to provide a stronger and better environment for ALL women in the ARTS. I praise MS. ALLEN and our recent co-president, MARY HODGES, for their dedication, passion, determination, and time given to this organization. These two Black American Women served the LPTW organization well, and I hope they have encouraged ALL women to step up, be counted, and be included. 


Unfortunately, nearly forty years later, we, as a society, struggle to approach that bravery in practicing DIVERSITY and INCLUSION; whether it be race, gender, age and, as our recent Professional Seminar presented, the area of Disabilities … there still lies the lack of EQUITY in all these areas. 

 

As we march toward the twenty-fifth year of the twenty-first century, I am hopeful that the League of Professional Theatre Women will continue to embrace new opportunities for inclusion, diversity and equity in our advocacy of women’s rights. We will work harder to look for projects and partnerships that are conceived to include groups that are and have long been underserved. 


I proudly celebrate my heritage and the place Black Americans have played in the evolution of the United States of America.  I also stand proudly as a member of  LPTW. As we celebrate the richness of our past, we are relentless in our efforts to remain loyal and respectful of this past while recognizing the need to adjust to the ever-changing landscape of the entertainment industry.


Congratulations to these Ladies!


Thank You,

Lynnie Godfrey

President of the League of Professional Theatre Women

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