Co Presidents – Pamela Hunt & Carmel Owen
Julia Miles 1982-1984
Administrative Director – Lizzy Bryce
LPTW Executive Officers
PAMELA HUNT – CO-PRESIDENT
Pam Hunt has been a professional theater director/choreographer for over 30 years. She has specialized in both plays and musicals in over 100 productions. In NYC she was nominated for a Drama Desk Award for “The Musical of Musicals” and also received the Kevin Kline Award. Her production of Carnival! received the Outer Critics Circle award for Best Revival. She has directed numerous productions at Actors Theatre of Louisville, Alabama Shakespeare Festival, Asolo Theatre, Cincinnati Playhouse, Cleveland Playhouse, Coconut Grove Theatre, GEVA Theatre, Laguna Playhouse, Milwaukee Repertory Theatre, Papermill Playhouse and The Repertory Theatre of St. Louis. Prestigious stock productions include The MUNY St. Louis, TUTS Atlanta, Pittsburgh CLO, Ogunquit and Westport Playhouses, plus 20 years at the famed Cape Playhouse in MA. Pam has served on the LPTW board and directed several productions in the LPTW short play festival. She is on the Advisory Board for the Duke Ellington Center for the Arts.
CARMEL OWEN – CO-PRESIDENT
CARMEL OWEN is a composer/lyricist and Co-President of The League of Professional Theatre Women. Her musical “ASYLUM: The Strange Case of Mary Lincoln” was produced Off-Broadway by the York Theatre in their 2006-07 season and is one of the few musicals by a woman composer in the well-known Rodgers and Hammerstein catalogue. It is often done by schools and universities as well as community non-profit groups in the US and abroad. She recently completed a writer residency at CAP 21 along with the book writer Joan Ross Sorkin working on their new musical, MONET. This had a reading at the York Theatre in 2014 and after received a grant from the Florence Gould Foundation to further its development. She is also the Chief Development Officer for the Paul Taylor Dance Foundation.
Shellen Lubin got seriously involved with LPTW activities the day she joined, directing Susan Merson’s 10-minute play I BELIEVE IN MARRIAGE starring David Rasche in our 2011 festival at New World Stages, serving on the Board, as Co-Secretary, and now as VP of Programming and Co-Chair of the Mentoring Committee. Shellen has written and directed numerous plays, musicals, and cabaret acts, most recently directing Susan Merson’s DOOR OPENS WALK THRU at 13th Street Rep, the 28th, 29th, and 30th Annual Bistro Awards (for Sherry Eaker, Producer), and BETWEEN PRETTY PLACES, a Musical Ghost Story (play by Susan Merson, music & lyrics by Lubin, additional music by Matthew Gandolfo) at the Pacific Resident Theatre in Venice, CA and at Here Arts Center in Soho. Her songs have been sung by herself and many others, including years of performances on the cabaret circuit, Milos Forman’s first American film, TAKING OFF, and a special on WBAI-FM called SHELLEN LUBIN, SONGWRITER/SINGER. As a vocal and acting coach, she has coached performers on and off Broadway, on tour, and in the studio. She is a member of most unions and guilds, the National Theatre Conference, and is Co-President of the Women in the Arts & Media Coalition, representing LPTW on the Board of Directors. www.shellenlubin.com @shlubin @MonMornQuote
Having spent the last decade working in the industry, Amanda is passionate about all things theatre. She received both her BFA in Theatre and MFA in Performing Arts Management from Brooklyn College. Amanda’s company, The Pekoe Group, is a full-service boutique marketing and advertising agency that specializes in creating lucrative and inventive marketing strategies and media solutions for clients. The focus is on Broadway and off-Broadway productions, nonprofit theatres, attractions and museums. www.thepekoegroup.com
KELLI LYNN HARRISON- VP OF MEMBERSHIP
Kelli Lynn is an Ensemble Artist at Ensemble Studio Theatre and has performed at EST in Youngblood programming – including Thicker Than Water, Asking For Trouble, brunches and Bloodworks – as well as various Memberfest and Sloan First Light projects. Currently, she also helps to facilitate the EST Members Council initiative, First Brew. She was a founding member of 3Graces Theater Co. (winner of the 2007 LPTW Lucille Lortel Award for Emerging Theater Company), and its Managing Director from 2004-2011, during which time she produced and co-produced over 20 New York and World Premieres. As its resident dramaturg, she created 3G’s signature Immersion program, an interactive dramaturgical process for the ensemble and audience. Favorite NY credits include: Acting – Big Girl a one-woman play by Andrew Biss, Apocalypso by William Donnelly, and The Benefits of Elsewhere by Patrick Link; Production Dramaturgy – the New York premiere of Nickel and Dimed by Joan Holden, and the World Premiere of The Power of Birds by Robin Rice Lichtig. Trained at Loyola Marymount University (Los Angeles) and Stella Adler (New York). Member of Literary Managers and Dramaturgs of the Americas and currently serves on Board of Directors of the League of Professional Theatre Women.
CATHERINE PORTER has served as creator, producer, writer, director, and/or performer in 100+ site-specific plays and performance events for the NYC nonprofit theater company Peculiar Works Project since 1993. She co-wrote PWP’s “live documentary”, Welcome Aboard the Friendly Tripbox, and the tours of OFF Stage: the West Village Fragments, OFF Stage: the East Village Fragments, and In Praise of Folly: the Don Quixote Project, for which she also served as Project Director. With PWP, she teaches workshops in site-specific and multi-disciplinary performance for the Trinity/La MaMa Urban Arts Semester, and has also co-taught the workshops for Fordham, Illinois State, Pace, and New Bulgarian University. She has played leading roles in many PWP productions, including Manna-Hata, Can You Hear Their Voices?, OFF Stage: the East Village Fragments and West Village Fragments, Barry Rowell’s Floydada, It’s Good Enough For Me and Freiheit Makes a Stand, S.M. Dale and Rowell’s 3Christs, Dale’s Privileged & Confidential, Marina Shron’s Mitya’s Ordeal, and Ruth Margraff’s Gat Him To His Place, among numerous others. She has acted with such Off-Off companies as La MaMa, Concrete Temple Theatre, Flux Theatre Ensemble, The Forge, Aisling Arts, Theatre Askew, and TOSOS; and appeared Off-Broadway in Mac Wellman’s OBIE Award-winning play, Crowbar. Catherine’s alter ego is Administrator for The Scherman Foundation, where she oversees all office, facility, finance, and human resource areas. Previously, she served as Director of Development for Dixon Place, where she also performed duties as Interim Executive Director, Assistant Director, and Director of Finance; Coordinator of Individual Giving and Special Events for HERE Arts Center; and Ticket Office Manager for Casa Mañana Playhouse and Summer Musicals in Fort Worth, TX. She is a member of Actors’ Equity Association and serves on the boards of the Alliance of Resident Theatres/New York, League of Professional Theatre Women (Treasurer), and Concrete Temple Theatre. In 2010, Catherine was named to the NYTheater Now Indie Theater Hall of Fame.
LUDOVICA VILLAR-HAUSER, Theatre Director/Dramaturg Founder of Works by Women. Member of the League of Professional Theatre Women, SDC and Equity (UK). Eligible to work in the USA, UK and EU. Highlights include: Eugene O’Neill’s Long Day’s Journey into Night in London’s West End; the premiere of Gregory Murphy’s The Countess, which ran Off-Broadway for 634 performances and in the West End. OFF-BROADWAY: Bold Girls by Rona Munro (29th ST. Rep.); NYC premiere of Duet by Otho Eskin (Greenwich Street Theatre); North American premiere of Leaves of Glass by Philip Ridley (Peter J. Sharp Theater); Final Analysis by Otho Eskin (Pershing Square Signature Center); For Heaven’s Sake!(formerly The Brightness of Heaven) by Laura Pedersen (Cherry Lane Theatre). Other favorites include A Short Wake by Derek Murphy; As It Is In Heaven by Arlene Hutton, produced by 3 Graces Theater Co. at The Cherry Lane Theatre; She Calls Me Firefly by Teresa Lotz at New Perspectives Theatre Company; A Dozen Perfect Moments, Living Arrangements and This Will All be Yours by Laura Pedersen.
Romy is an actor/educator and voice over artist. She recently completed a run of Steven Fechter’s “Lancelot with 360 RepCo/Judson Gym and is now working on the film version with Liberty Ventures as well as Cecilia Copeland’s “R Culture”. Selected theatre credits: “Rose” in Shakespeare’s Slave by Steven Fechter Clurman/Resonance Ensemble, New Perspectives Between Here and There by Cecilia Copeland,The Woman On The Bridgeworkshop/directed by Julia Pascal directed by Ludovica Viller Hauser, January by Paula Cizmar directed by Lorca Peress/Multi Stages. Her original piece based on the life of Alla Nazimova premiered in Stage Struck at the Snapple Theatre this past January helmed by Mari Lyn Henry and directed by Melody Brooks, ActorsTheatre of Louisville (Comedy Of Errors, Rock & Roll Shakespeare), NY Madness, Kirk Theatre Row, Caps Lock Theatre, NYFringe, Primary Stages, Circle Rep, Fleetwood Stage, Wilma Theatre, Hudson Guild, NY Madness, Julia’s Reading Room and The Shubert. Amongst Film & TV credits: Law & Order CI (Officer Talbor), All My Children, One Life to Live, The Ruthless Spectator w. Rob Bartlett. Selected Playwrighting credits include; “Lipshtick” NYC Fringe, Sex & Sealing Wax (solo show @ MITF), The Feeling Part (LoNyLa), Broadville (Source) and her solo piece “Nazimova”. Romy is also an Audiobook Narrator with over 150 titles to her credit as well as numerous voice over spots. She has been a Theatre teaching artist for the past 15 years and works in every borough of NYC with developmentally disabled and underserved children. Board Member of The League Of Professional Theatre Women, Member, NY Madness, Resonance Theatre Ensemble, Flux Sundays and The Playwrights Gallery. www.romynordlinger.com
LPTW Administrative Staff
LIZZY BRYCE- LPTW ADMINISTRATIVE DIRECTOR
Lizzy Bryce is a writer, performer, director, and producer based out of Brooklyn. She is a graduate of the Theatre Directing program at Pace University and has directed at such theatres as: The Manhattan Repertory Theatre, Dixon Place, The Hudson Guild Theatre, The PIT, and Schaeberle Studios. She has studied sketch and improv at the UCB with the likes of Laura Grey, Brandon Gardner, Molly Lloyd, John Frusciante, Lydia Hensler, Frank Garcia Hejl, Rachael Mason, and Dru Johnston. Currently a producer for UCB’s house digital team UCB1, she can also be seen performing improv with her all-female indie team, The Feds.