OFFICERS

Co Presidents – Pamela Hunt & Carmel Owen
VP Programming – Shellen Lubin
VP Communications – Amanda Pekoe
VP Membership – Kelli Lynn Harrison
Co-Secretary – Ludovica Villar-Hauser
Co-Secretary – Romy Nordlinger
Treasurer – Josephine “Jo” Heck

BOARD

Richarda Abrams
Ivy Austin
Jenny Lyn Bader
Judith Binus
Melody Brooks
Jane Dubin
Kimberly Eaton
Mari Lyn Henry
Mahayana “Yana” Landowne
Melissa Maxwell
Frances McGarry
Dael Orlandersmith
Catherine Porter
Elyse Singer
Helen Sneed

PRESS AGENT

Katie Rosin

ADVISORY COUNCIL

Susan Dietz
Heidi Ettinger
Joan Firestone
Jane Harmon
Julia Miles
Wallace Munro
Enid Nemy
Sheilah Rae
Harriet Slaughter
Elizabeth Williams

PAST PRESIDENTS

Julia Miles 1982-1984
Doris Cole Abrahams 1984-1988
Billie Allen 1984-1988
Berenice Weiler 1988-1992
Lynda Sturner 1988-1992
Amie Brockway 1992-1994
Kathleen Gaffney 1992-1994
Shari Upbin 1994-1999
Isobel Robins 1999-2003
Harriet Slaughter 1999-2003, 2005-2007
Sheilah Rae 2003-2005
Joan Firestone 2005-2007
Lynne Rogers 2007-2009
Naomi Grabel 2009-2011
Rachel Reiner 2009-2011
Kristin Marting 2011-2013
Lorca Peress 2011-2014
Maxine Kern 2012-2015

STAFF

Administrative Director – Lizzy Bryce


LPTW Executive Officers

pam2

PAMELA HUNT – CO-PRESIDENT
PamelaHunt@TheatreWomen.org
Pam Hunt has been a professional theater director/choreographer for over 30 years. She has specialized in both plays and musicals in over 100 productions.  In NYC she was nominated for a Drama Desk Award for “The Musical of Musicals” and also received the Kevin Kline Award.  Her production of Carnival! received the Outer Critics Circle award for Best Revival.   She has directed numerous productions at Actors Theatre of Louisville, Alabama Shakespeare Festival, Asolo Theatre, Cincinnati Playhouse, Cleveland Playhouse, Coconut Grove Theatre, GEVA Theatre, Laguna Playhouse, Milwaukee Repertory Theatre, Papermill Playhouse and The Repertory Theatre of St. Louis.  Prestigious stock productions include The MUNY St. Louis, TUTS Atlanta, Pittsburgh CLO, Ogunquit and Westport Playhouses, plus 20 years at the famed Cape Playhouse in MA.  Pam has served on the LPTW board and directed several productions in the LPTW short play festival. She is on the Advisory Board for the Duke Ellington Center for the Arts.


cARMEL black whiteCARMEL OWEN – CO-PRESIDENT
Carmel@theatrewomen.org
Carmel was born and grew up in Louisville, Kentucky, a town where all of the arts were and are valued and promoted. Her mother sang in the Kentucky Opera there as well as in churches, and music was an integral part of her family life. There her brothers had the best rock band in the county, “The Keyes,” and she danced in the Louisville Ballet Company. She began performing at about age 4 and continued singing, dancing and playing piano through college, where she studied classical music and dance at Indiana University and also at what was then NYU School of the Arts (Tisch). She cannot remember a time when she was not putting on a show or performing in one and that continues today. When she discovered the joy of writing a “show,” in particular the music and lyrics, she found herself as an artist. She loved studying the music and lyrics of Sondheim, Rodgers, Bernstein, Loewe, Berlin, Hammerstein, Styne and many others. In a workshop with Charles Strouse she learned so much, but she remembers in particular his comment that “It’s one of the better thrills in life to have a performer do justice to one of your songs.”

 

shellSHELLEN LUBIN – VP OF PROGRAMMING

shellen@theatrewomen.org
Shellen Lubin got seriously involved with LPTW activities the day she joined, directing Susan Merson’s 10-minute play I BELIEVE IN MARRIAGE starring David Rasche in our festival at New World Stages, serving on the Board, and now as Co-Secretary and as Co-Chair of the Mentoring Committee.  She has written and directed numerous plays, musicals, and cabaret acts, most recently directing the 28th and 29th Annual Bistro Awards (for Sherry Eaker, Producer) and BETWEEN PRETTY PLACES, a Musical Ghost Story (play by Susan Merson, music & lyrics by Lubin, additional music by Matthew Gandolfo) at the Pacific Resident Theatre in Venice, CA and at Here Arts Center in Soho. Her songs have been sung by herself and many others, including years of performances on the cabaret circuit, Milos Forman’s first American film, TAKING OFF, and a special on WBAI-FM called SHELLEN LUBIN, SONGWRITER/SINGER. As a vocal and acting coach, she has coached performers on and off Broadway, on tour, and in the studio.  She is a member of most unions and guilds, the National Theatre Conference, and is Co-President of the Women in the Arts & Media Coalition, representing LPTW on the Board of Directors.  www.shellenlubin.com @shlubin @MonMornQuote

 

AmandaAMANDA PEKOE – VP OF COMMUNICATIONS

Having spent the last decade working in the industry, Amanda is passionate about all things theatre. She received both her BFA in Theatre and MFA in Performing Arts Management from Brooklyn College. Amanda’s company, The Pekoe Group, is a full-service boutique marketing and advertising agency that specializes in creating lucrative and inventive marketing strategies and media solutions for clients. The focus is on Broadway and off-Broadway productions, nonprofit theatres, attractions and museums. www.thepekoegroup.com

 

kelli LynnKELLI LYNN HARRISON- VP OF MEMBERSHIP
Membership@theatrewomen.org
Kelli Lynn is an Ensemble Artist at Ensemble Studio Theatre and has performed at EST in Youngblood programming – including Thicker Than WaterAsking For Trouble, brunches and Bloodworks – as well as various Memberfest and Sloan First Light projects. Currently, she also helps to facilitate the EST Members Council initiative, First Brew.  She was a founding member of 3Graces Theater Co. (winner of the 2007 LPTW Lucille Lortel Award for Emerging Theater Company), and its Managing Director from 2004-2011, during which time she produced and co-produced over 20 New York and World Premieres.  As its resident dramaturg, she created 3G’s signature Immersion program, an interactive dramaturgical process for the ensemble and audience. Favorite NY credits include: Acting – Big Girl a one-woman play by Andrew Biss, Apocalypso by William Donnelly, and The Benefits of Elsewhere by Patrick Link; Production Dramaturgy – the New York premiere of Nickel and Dimed by Joan Holden, and the World Premiere of The Power of Birds by Robin Rice Lichtig. Trained at Loyola Marymount University (Los Angeles) and Stella Adler (New York).  Member of Literary Managers and Dramaturgs of the Americas and currently serves on Board of Directors of the League of Professional Theatre Women.


LUDOVICA VILLAR-HAUSER – CO-SECRETARYludo

Ludovica@theatrewomen.org
LUDOVICA VILLAR-HAUSER, Theatre Director/Dramaturg Founder of Works by Women. Member of the League of Professional Theatre Women, SDC and Equity (UK). Eligible to work in the USA, UK and EU. Highlights include: Eugene O’Neill’s Long Day’s Journey into Night in London’s West End; the premiere of Gregory Murphy’s The Countess, which ran Off-Broadway for 634 performances and in the West End. OFF-BROADWAY: Bold Girls by Rona Munro (29th ST. Rep.); NYC premiere of Duet by Otho Eskin (Greenwich Street Theatre); North American premiere of Leaves of Glass by Philip Ridley (Peter J. Sharp Theater); Final Analysis by Otho Eskin (Pershing Square Signature Center); For Heaven’s Sake!(formerly The Brightness of Heaven) by Laura Pedersen (Cherry Lane Theatre). Other favorites include A Short Wake by Derek Murphy; As It Is In Heaven by Arlene Hutton, produced by 3 Graces Theater Co. at The Cherry Lane Theatre; She Calls Me Firefly by Teresa Lotz at New Perspectives Theatre Company; A Dozen Perfect Moments, Living Arrangements and This Will All be Yours by Laura Pedersen.


romyROMY NORDLINGER – CO-SECRETARY

Romynordlinger@aol.com

Romy is an actor/educator and voice over artist. She recently completed a run of Steven Fechter’s “Lancelot with 360 RepCo/Judson Gym and is now working on the film version with Liberty Ventures as well as Cecilia Copeland’s “R Culture”. Selected theatre credits: “Rose” in Shakespeare’s Slave by Steven Fechter Clurman/Resonance Ensemble, New Perspectives Between Here and There by Cecilia Copeland,The Woman On The Bridgeworkshop/directed by Julia Pascal directed by Ludovica Viller Hauser, January by Paula Cizmar directed by Lorca Peress/Multi Stages. Her original piece based on the life of Alla Nazimova premiered in Stage Struck at the Snapple Theatre this past January helmed by Mari Lyn Henry and directed by Melody Brooks, ActorsTheatre of Louisville (Comedy Of ErrorsRock & Roll Shakespeare), NY Madness, Kirk Theatre Row, Caps Lock Theatre, NYFringe, Primary Stages, Circle Rep, Fleetwood Stage, Wilma Theatre, Hudson Guild, NY Madness, Julia’s Reading Room and The Shubert. Amongst Film & TV credits: Law & Order CI (Officer Talbor), All My Children, One Life to Live, The Ruthless Spectator w. Rob Bartlett.  Selected Playwrighting credits include; “Lipshtick” NYC Fringe, Sex & Sealing Wax (solo show @ MITF), The Feeling Part (LoNyLa), Broadville (Source) and her solo piece “Nazimova”. Romy is also an Audiobook Narrator with over 150 titles to her credit as well as numerous voice over spots. She has been a Theatre teaching artist for the past 15 years and works in every borough of NYC with developmentally disabled and underserved children. Board Member of The League Of Professional Theatre Women, Member, NY Madness, Resonance Theatre Ensemble, Flux Sundays and The Playwrights Gallery. www.romynordlinger.com

 


LPTW Administrative Staff

bw lizzyLIZZY BRYCE- LPTW ADMINISTRATIVE DIRECTOR
Lizzy@TheatreWomen.org

Lizzy Bryce is a writer, performer, director, and producer based out of Brooklyn. She is a graduate of the Theatre Directing program at Pace University and has directed at such theatres as: The Manhattan Repertory Theatre, Dixon Place, The Hudson Guild Theatre, The PIT, and Schaeberle Studios. She has studied sketch and improv at the UCB with the likes of Laura Grey, Brandon Gardner, Molly Lloyd, John Frusciante, Lydia Hensler, Frank Garcia Hejl, Rachael Mason, and Dru Johnston. Currently a producer for UCB’s house digital team UCB1, she can also be seen performing improv with her all-female indie team, The Feds.